Episode one: A Fearful Start
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Contents
Trapped in the Cube
0:00 |
Absolutely disgusting. That's sick. I know. But what are you going to do? You know, |
0:07 |
anyway, as I say, have you hit record? [laughter] Lucky [ __ ] |
0:14 |
play. We've already logged in. Sneaky sack of [ __ ] [music] |
0:32 |
[music] |
0:33 |
You [ __ ] [laughter] |
0:37 |
Yeah. So, uh, episode one. Let's go with uh, drop of the cube. Trapped in the cube. Episode one. |
0:45 |
Yeah. With in. Who gives a [ __ ] It doesn't really matter, does it? Trapped in. Trapped |
0:50 |
with the other. I mean, it matters. It matters if you're like looking it up or searching it. Yeah, |
0:57 |
you know. Uh what the [ __ ] is that podcast called? Um I think it's trapped in the cube. No, |
1:04 |
that's something else. Are we trapped with a cube? Yeah. Search that one. Oh no, |
1:08 |
it's some guy talking from his [ __ ] office desk. Here's the thing. His little cube. |
1:12 |
They're going to know because we'll have made a decision with what he's called on whatever |
1:19 |
we put this on. Well, it'll be available on all places, won't it? Spotify, YouTube, |
1:25 |
Audible, wherever good podcasts are hosted. Just search Joe Rogan and we'll be right |
1:30 |
under that one. Right under. Maybe someone else might be in between. Joe Rogan. Yeah, |
1:37 |
we're coming for you. [laughter] You're doing what for Joe Rogan? [ __ ] did he request buckets? |
1:45 |
Actually, [laughter] buckets have come for Joe Rogan. Special just for you, Joe. just for you, |
1:53 |
Mr. Rogan. I present [laughter] a jar. Do you reckon? Yeah, I do. Whatever you're going to say, |
2:01 |
I do. Yeah, definitely. Do you reckon Joe Rogan's got his own Funko? Oh, yeah. He must do, |
2:07 |
mustn't he? And what differentiate Joe Rogan Funko, too? I don't know. Alex Lex Luthther Funko |
2:11 |
or any other bald man. [laughter] I don't know. They put a microphone in front of it. I don't know |
2:18 |
because he's he's only known for podcasting over like the past few years. He used to be a fighter, |
2:22 |
didn't he? Stand up comedian, I believe. You I think he's done everything. He's not funny. He's |
2:27 |
He's not [laughter] like immediately attacking a man's like, "Yeah, we're coming for you, Joe. |
2:36 |
You're not funny. Me and Jack can take you. Calm down." [laughter] Oh my god. Could you imagine? |
02:44 |
Could you imagine us in a fight against [laughter] Oh my god. [clears throat] [ __ ] killed. I |
2:52 |
think [laughter] he's pretty He's pretty hench. He's hench. He's He's a good fighter is what he |
2:56 |
is. Just pop him in the back of the knees. Head put him in the back of the knees. No, like you |
3:02 |
distract him from the front and I'll poke him in the back of the knee. [laughter] I imagine it's a |
3:07 |
twoon-one situation. It would have to be. I think there's no other way that I would have a chance. |
3:14 |
Have we got weapons? I hope so. What weapons do you reckon they'd load in like a proper fight if |
3:20 |
it was professional and televised? I mean, if it if it was a proper televised proper fight, |
3:25 |
they'll load us weapons. What What do you reckon would be the limit? Oh, what's what's |
3:29 |
like the Obviously, they're not going to give us a knife or a gun. [laughter] Maybe a soft bat. |
3:35 |
Soft bat. Not like [gasps] Maybe one of those uh inflatable hammers you can get from [laughter] the |
3:44 |
Yeah, take that joke. Okay, [laughter] perfect. Yeah, I imagine for safety reasons they'll give |
3:52 |
it to us uninflated. So, you distract him and I'll inflate the weapons. I have [laughter] to |
3:56 |
blow them up midfight. Yeah, he's like punching my head in. I have to [ __ ] Yeah, and I'll be there |
4:02 |
huffing and puffing on this [laughter] inflatable mace. Swinging it around. I'll be with you in a |
4:09 |
minute. I've got bad lung capacity. Oh my god. I would. And dead, deceased. Actually, I I reckon |
4:17 |
he'll go easy on you. [laughter] Absolutely not. Just talk to him about your new conspiracy theory. |
4:23 |
He loves that [ __ ] That [ __ ] Tell him tell him why you think the earth's a sausage. And he'll be |
4:30 |
like, "Why? Tell me that. Oh, that's interesting." No, it's not. And he'd be going, "Wow, really?" |
4:37 |
And they'll be going, "Yeah, really? Absolutely. Wow." Yeah. There's not a debt in my mind. Yeah. |
4:42 |
I'm telling [clears throat] you, Joe, I've seen it. Have you got evidence for this? Nope. [ __ ] |
4:47 |
No. And you you believe the government's hiding this from us, right? Oh, definitely. Yeah. Wow. |
4:52 |
Why would they do such a thing? Oh, they they just they just don't buy into sausage earth. Oh, god. |
4:57 |
Bastards. Yeah. Wow. Well, I believe you. Thank you. [laughter] Thank you. Every Joe Rogan that is |
5:04 |
the Joe Rogan experience. You got it here for free is what [laughter] you I think it already is free. |
5:12 |
Yeah. Yeah. I don't think anyone's paying I don't think anyone's paying for that sch |
5:16 |
slop. [cough and clears throat] Even though it is slop, it is the most listened podcast in the |
5:22 |
world, which I find insane. But he does get some good guests. He does get some good guests. He has |
5:28 |
some clout though, don't he? Yeah. He's got um Yeah, he has a new extravagant guest every week |
5:34 |
to spoon feed him whatever. Yeah, you'll get whatever [ __ ] it is that they've got. You'll |
5:40 |
get in one week um who's that British physicist space guy you'll get Brian Cox on the Joe Rogan |
5:48 |
podcast and then like next episode [ __ ] Russell Brand just yeah pouting out [ __ ] |
5:57 |
out well he pouts don't he does pout and it the [ __ ] comes out when he pouts post he's |
6:02 |
got that MC Jagger energy yeah but I don't know but [ __ ] jagger [laughter] [ __ ] jagger Yeah, |
6:10 |
that's right. We're coming for Joe Rogan and Russell [laughter] Brand. It's about |
6:15 |
It's about time someone took a stand and called Russell Brand out for what he is. Just not funny. |
6:21 |
That's [laughter] the only The only bad thing he's ever done. Not be funny. Oh my lord. That's |
6:28 |
the only bad thing he's ever done. Not be funny. I agree with everything else. And [laughter] it's |
6:33 |
about it's about time. Someone finally stood up and talking down a peg. [laughter] |
6:42 |
I am doing that right now. Oh my god. Oh my [ __ ] lord. Perfect. If you have phoned us. |
6:49 |
Yeah. And you've not left yet. Yeah. [laughter] We are trapped in a cube. Trapped with the cube. |
6:54 |
Trapped in a cube. Whichever one it is. Let's We're going to We're going to finalize it. I |
6:59 |
think we have to make a decision. I think it's trapped in the cube. If you want it |
7:02 |
to If you want it to be in, then it's in. I think it is. I think it's in cuz we're in it, |
7:06 |
aren't we? We are in it. The thick of it. Oh, that would have been |
7:10 |
another good name for a podcast. In the what? The thick of it. Yeah. [laughter] |
7:17 |
Which could be specifically based around the show The Thick of It. Yeah. Yeah. Yeah. We |
7:24 |
review Oh [ __ ] We review all the episodes, talk about them. Is this Is this a Thick of It |
7:30 |
podcast now? Yeah, I think. I was going to say I'm not I know it's got um Peter |
7:35 |
Kapoli in it. It does have Peter Kapoli in it. He has [clears throat] that one |
7:38 |
famous bit where he has Star Wars where he pretends he doesn't know what Star |
7:41 |
Wars is. Yeah. Yeah. You know that clinky flanky man. As [laughter] I understand it, |
7:47 |
uh he's like the prime minister's aid or something like that. The prime minister's what? [laughter] |
7:55 |
Prime Minister's got what? [laughter] the he works for the government and he he's like he's |
8:01 |
like he's like the cleanup guy for uh so he's a maid so when you said age you meant maid yeah I |
8:07 |
must have missed the ammo that's what he must have been I must I must have misspoke I cannot |
8:13 |
see Peter Kapow in a little black and white maid dress oh I can just going around 10 dining street |
8:19 |
hoovering up that little slag yeah [laughter] [ __ ] old slag thank god So, if you found us, |
8:28 |
we're Mike and Jack. Yeah, Mike and Jack. Jack and Mike. Jack and Mike. Mike and Jack and Ash. Oh, |
8:34 |
yeah. Ash is here as well. Say, "Hey." Say, "Hey, Ash." He looked blankly at us both. [laughter] |
8:42 |
You ignorant piece of [ __ ] That's awful. He's lovely. He is lovely. He is. Does need a trim |
8:49 |
though. He needs a trim. Well, not. Yeah. Just uh M Mike Jack and Ash. Ash, Jack, and Mike, |
8:55 |
whichever way you want to say it. Sometimes there might be a third person here. A fourth |
8:59 |
person. Sometimes might be a fourth person. Yeah, sometimes fourth person. He's not here today. He's |
9:05 |
not here today, but uh soon perhaps. Maybe. Maybe. So, um yeah, I don't know. Maybe jump right into |
9:14 |
it. Uh as it is spooky season being recorded during spooky season at Yeah, I was going to |
9:19 |
say at the time of recording. I mean, this could go live in [ __ ] March. next year. [laughter] Oh |
9:27 |
god. And I'm sure that it'll be Somebody's looking for a new podcast. It'll be just as it is now. I |
9:34 |
really want my um Irish themed, St. Patrick's themed episode of the podcast. [laughter] Well, |
9:40 |
no, only haunts for March 17th. Only spooks. Yeah. Yeah. Uh so yeah, we're midocctober at the moment. |
9:50 |
Um, again, unsure exactly what we're called. In the cube, I think I think in the cube. Yeah, |
9:57 |
trapped in the cube. I'm I'm sticking with that, man. Then we'll have it trapped in the cube. I |
10:02 |
I'll make a note of it somewhere and uh hopefully I'll not, you know, don't worry. Don't worry about |
10:10 |
that. I've been You've been incrementally testing. Yeah, don't you wor you. Sorry, |
10:15 |
we were just doing a headphone check if that made no sense. Um, we are our own son guys. Yeah. Well, |
10:23 |
I've just given up on it. [laughter] Oh, sorry. I am the sounded guy is what I am. Andy and the |
10:29 |
editor. And the editor for the time being. Uh, do you reckon we'll ever get to a point? |
10:35 |
I'm start with the talent. [laughter] Makes it sound like like you're an escort or something, |
10:42 |
which is perfect. Oh, the face that I pulled then. [laughter] No, I'm not I'm not the talent. My name |
10:51 |
ain't Billy. [laughter] [gasps] So, yeah, mid mid mid uh mid October. It's getting close to |
11:00 |
Halloween. Uh thought we might um just make a [ __ ] start. You know what I mean? Uh we're |
11:05 |
going to talk about some um horror movies we like, some horror games we like, maybe a few |
11:11 |
uh authors perhaps. Um I I don't know. It depends how much time we've got. knew. [laughter] |
11:20 |
Beat me to it. I'll beat you to it. Or if you like [ __ ] jokes like that, |
11:24 |
you get them [laughter] in space. |
11:29 |
If no one stops anyone from saying come and says what, then we've done a bad job and we're not |
11:36 |
doing our job correctly. We're not doing our job correctly. If we don't haul everything. [laughter] |
11:45 |
Do I speak first? [laughter] I thought that's what I was I was just going to um I was just listening |
11:52 |
of the um headphones [laughter] to see if the sound was fine. Oh yeah, I've been Yeah. And |
11:57 |
like I thought you were going to give a quick test and your whole test was just silently go. |
12:07 |
For anybody listening, um that's going to sound like dead, but it's not. [laughter] We're We're um |
12:14 |
miming our head nods. Uh but yeah, I know. I just don't know how to start that bit. Yeah. Anyway, |
12:20 |
you want to go into it? Yeah. Films. Yeah. Movies. You want to talk about movies? Yeah. You want to |
12:24 |
talk about spooky movies? Um spooky movies. What do you want to say? Do you want to just list off |
12:29 |
what your favorite spooky movies are? Or do you want to give me like a top four horrors? If you |
12:34 |
can think of four horrors. I mean, of Top four. Do a top five. Oh [ __ ] It's harder. [laughter] Oh |
12:41 |
my god. I've only got three written down. And even one of them just cuz it came to me. But |
12:48 |
my uh my thinking is you'll say your thought four or three. Five. I can come. Yeah. I Sorry, |
12:56 |
there's screaming coming in from outside. Spooky season. Spooky season. Someone's getting murdered |
13:00 |
outside. [laughter] Perfect. Spooky season. Yeah. I'll um you list you list some of your favorite |
13:07 |
horrors and I'll see if it triggers any responses in mine. I'm pretty sure there'll be some overlap. |
13:12 |
I can read you what I've written down. Yeah, tell me what you've written down. Uh, I've written Evil |
13:16 |
Dead. Oh, [ __ ] That's such a good Which one? Yeah, I I just did it as uh the franchise to be |
13:22 |
honest with you. Yeah, but they're so different. They are different. I mean, listen, we're going to |
13:27 |
talk about them anyway. Oh, we got I was we just talk about them as you read them. Oh, I mean Well, |
13:33 |
I'll I'll just tell you what I've got. You want Oh, you want to get through his list? I'll just |
13:36 |
tell you what I've [laughter] got. I'm I'm I'm ready for talk about Evil Dead now. And then as |
13:42 |
soon as you change the subject, I'm not going to be ready to talk about Evil Dead and I want to |
13:46 |
talk about whatever this Elm Street. Yeah, I don't really have a lot to say about that. [laughter] |
13:53 |
Uh I've got Wreck, I've got Thirst, and I've got The Thing. I also written down two more as like a |
14:03 |
I I don't know like me saying this film is [ __ ] [ __ ] and this other film is probably the best |
14:08 |
never to be watched. Go on. Uh one of them is uh Human Centipede. Yeah, I think I've seen it |
14:15 |
once and absolutely garbage film. Uh and the one that's probably best locked away is uh a Serbian |
14:23 |
film. I thought you were going to mention that. As soon as you mentioned um Human Centipede being |
14:28 |
[ __ ] I thought he's going to mention Serbian film cuz I know he likes that film. Uh see, |
14:34 |
I don't know whether it's that I like it or it's just fascinated by the grotesqueness of it. I used |
14:40 |
to like getting people to watch it so that I could get their input about it. I have never seen it. |
14:45 |
Is that's probably for the best. Yeah. Which is weird cuz I've been your friend for ages. Yeah, |
14:50 |
I know. I know. like lifelong friend and I've never seen I am 15 years old. [laughter] |
14:59 |
We have two 15y old men. [laughter] [gasps] My god. No. Every time you mention Serbian film to |
15:05 |
me like, "Oh, yeah, yeah, yeah. It's good. You should watch it." Yeah, definitely. I'm like, |
15:08 |
"No." Everything I'm hearing is so repulsive. Yeah, it's horrible. Um, so what do you which |
15:15 |
one do you want to dissect or do you want me to give you? I mean, do you want to do the shitty |
15:19 |
ones first? get the shitty things out the way. Yeah, sure. You can talk about human centipede. |
The Human Centipede
15:24 |
I've seen it once a very long time ago. Also, what counts is it? It counts as a body horror, right? |
15:30 |
Uh yeah. Oh [ __ ] Speaking of body horror, I'm going to add The Fly to my list. Oh [ __ ] What |
15:34 |
a great movie. Oh, such a [ __ ] good film. Bit of Croninberg. [ __ ] Oh, I wish I'd written that |
15:40 |
day. I mean, we can still fly. Oh, yeah. Yeah, definitely. Anyway, Human Centipede. I've seen the |
15:46 |
first and the second one. I've not seen the third one. There's more than two. Yeah. Yeah. Yeah. Um |
15:52 |
I can't remember the [ __ ] uh the actor's name. Um he was the big guy from Wigan. Yeah, he's from |
15:59 |
Wigan. I've seen him loads of times. Oh, he's from Wigan. [laughter] Yeah. Yeah. [gasps] Yeah. |
16:05 |
He's definitely is. God damn. Yeah, he was in the second one. He's like the main character |
16:10 |
in the second one. He's passed on. No, he's still alive. I'm fairly certain. Oh, I thought he died. |
16:15 |
And everyone was saying, "Oh [ __ ] he's died." and he was from Wigan. I'm like, "Yeah, but you |
16:20 |
know what? I might have to actually look it up. I have not heard that he's died." I'm going to look |
16:25 |
him up. Have a Yeah, have a look. You fill this up. I'll fill this up. Anyway, this is my problem |
16:30 |
with a human centipede and what everyone should problem should be. I don't think I'd be that |
16:34 |
hungry enough to eat [ __ ] [laughter] That's my problem. I don't think I'd be that hungry enough |
16:39 |
to have my lips stitched against another guy's [ __ ] Anyway, so once you get past the whole, oh, |
16:47 |
it disgustes that like, oh, [ __ ] hell. Could you imagine? Could you imagine having your lips sewed |
16:52 |
to an anus? Imagine um just becoming a bigger part of uh a digestive system. That That's all it is, |
17:03 |
isn't it? Once you get past that, it's an over and a half of [ __ ] nothing. It's like a |
17:09 |
thought experiment that's just spread spread out [laughter] spread. Two two of them were spread. |
17:17 |
The one at the back was all right. [laughter] Well, I say all right. They were getting the worst |
17:22 |
[ __ ] He's still alive and he's called Lawrence. Lawrence a Yeah, that's it. Yeah. Yeah. Yeah. A |
17:30 |
Yeah, that's him. That's the guy. I know you know what he looks like, but I'm just |
17:33 |
showing the listeners. [laughter] [screaming] Put it against the microphone so they can see. |
17:39 |
Oh my god. But yeah, that's it. It's just a [ __ ] boring Nothing happens film. Um, |
17:46 |
where do you reckon's the best place to be placed in the human center? Oh, the fun. You |
17:51 |
can't have the fun. Absolutely fun. What you [laughter] can't have the fun? I guess it's I |
17:55 |
guess it's the back then. [screaming] [laughter] [gasps] Is your thinking that if you're the back, |
18:02 |
your asshole's intact? is all your game. Your asshole's intact and you don't have |
18:06 |
to have someone like just slopping on your bum cheeks. But that could feel nice anyway. |
18:13 |
God, as someone who's seen it, you know what? I agree. [laughter] I agree. Actually, put me |
18:19 |
in the back. As someone who's seen it, right, explain to me this. So, I'm assuming the guy |
18:26 |
at the front gets real meals. Yeah. So the guy at the front gets real meals and he's he gets to have |
18:32 |
someone lick his ass all over which might feel good for him. He gets the guy at the front five |
18:38 |
star food made by a Michelin star chef [laughter] and he gets his salad tossed all day every day. I |
18:47 |
cannot [laughter] think of a better life. [gasps] That guy's great. But anyone behind him Yeah. |
18:53 |
awful. So obviously if you eat waste or if you eat your own waste Yeah. it's just going to process |
19:03 |
down and it's just going to be less and less and less and less, right? Yeah. Less uh nutrients and |
19:09 |
everything cuz you [ __ ] out all the bad [ __ ] anyway. Your body takes in all the good stuff. |
19:14 |
Well, um [ __ ] is also made up of uh the stuff that your body couldn't absorb as it's going |
19:19 |
through you. So if you have too much protein, your your shit's going to be full of protein. |
19:24 |
If you have too much fiber, [laughter] your shoe's going to be full of fiber as well. Yeah. |
19:29 |
Like one of them horse poos, which is nothing but nothing but stringy. [laughter] Would not |
19:36 |
recommend. Is it Is that no good? No. Should I not? Okay. No. Don't have horse poo. Never have |
19:43 |
horse poo. If you If you can hear that, that's Ash bringing in his two cents [laughter] about I don't |
19:50 |
think he can. I mean, dogs eat their own [ __ ] right, from time to time. Yeah, that's true. Um, |
19:56 |
I think that's more of like a they want to make themselves sick. Eat grass. Anyway, my point |
20:02 |
being at the very end of the Human Centipede, what's coming out? Is it like [ __ ] or is it |
20:08 |
not? Or do they not go into that? Are you asking what the state of the steel is going to be? Yeah, |
20:13 |
cuz as a viewer, that's what I'd want to know. the main takeaway from the entire [laughter] that's |
20:18 |
like I want to know what the poo looks like when it comes out at the very end [laughter] and I'd |
20:23 |
want to go oh that's interesting this person's not getting enough nutrient so oh west I said this poo |
20:28 |
it turns out and could someone who was smart take that poo and figure out what the person right at |
20:35 |
the front has eaten I mean yeah probably it'd be difficult surely because that's like stage three |
20:43 |
[ __ ] isn't It'd be longer than stage three. Were these human centipedes long? In the first film, |
20:49 |
it was just three. All right. Second film it was 12. They ramped it up. Oh, they ramped it up. And |
20:56 |
then the third film it was an entire country. The third film, uh, I've not seen it, but it's set in |
21:04 |
a prison. Oh, so you And it's like there's like I I don't know like 100 people long. That No, |
21:12 |
that's insane. Do I draw the line? That's it. I've had enough. Stop the podcast. Stop it. No. Enough |
21:19 |
now. [laughter] How can you make like a franchise around that concept? I don't know. The only thing |
21:27 |
because I was thinking about this. Um, the only thing that I can think how they got a budget for |
21:33 |
the second film is that enough people bought into the first one because it is something that hasn't |
21:38 |
been done before. Yeah. Do you know what I mean? And despite it being a shy film, like genuinely |
21:45 |
boring as [ __ ] I feel like still enough people bought it and it it got it made enough money. Do |
21:53 |
you know what I mean? I feel like it's come about by two guys like us just chatting [ __ ] going, |
22:00 |
I wonder if you like stitched a guy's lips to a guy's [ __ ] and then he ate the [ __ ] and |
22:05 |
then what he [ __ ] Oh, put another person in his household and he eats his [ __ ] Oh, |
22:11 |
[ __ ] Yeah. I wonder I wonder what that would be like. And then that's as far as it went and |
22:16 |
that's it. Yeah. So, they don't delve into the scientific research of what the poo does or what |
22:21 |
is it? Are they just walking around? What the poo does? [laughter] That's the main character, |
22:25 |
right? The meal and then the poo. The poo. The poo is the main character. Exactly. gave me a |
22:30 |
Disney Pixar Inside Out, [laughter] which is about the the bodies. [cough] God damn. Also, |
22:38 |
what's stopping these people from like, yeah, it'll hurt, but what's stopping these people |
22:42 |
from really like just if my lips were stitched to a guy's [ __ ] I feel like I've got enough |
22:47 |
force in my head to pull back and just pull right off. It isn't just the lips, though. like um they |
22:55 |
were grafted from like the cheeks up to the uh ear and then the cheeks of the [laughter] guy |
23:04 |
in front up to like the hip. Do you know what I mean? Does the skin eventually grow over or is |
23:12 |
it still stitching? Cuz I feel like I could pull that off. It'd be painful, but I feel like I could |
23:15 |
do it. The story itself doesn't like it isn't it isn't over like weeks, months. Yeah. It's like no, |
23:23 |
you know what I think? So, sort of looking back at we're talking about this movie a lot more than |
23:28 |
I thought we would. [laughter] I'm fascinated. Oh my god. [laughter] Yeah. You want to move on |
23:36 |
to another [ __ ] film? We're here now. We're here now. From what I can wait till next week |
23:42 |
when we're still talking about the human center. [laughter] When we go on to the second movie. We |
23:48 |
are trapped in the centipede. [laughter] It's our podcast search trapped in the centipede [laughter] |
23:58 |
from what I can remember. Imagine [laughter] if we like story, |
24:02 |
right? If we were got trapped in a centipede and then the whole narrative was we were in the |
24:07 |
middle of a centipede but doing a podcast [laughter] and then the whole podcast was |
24:16 |
[ __ ] Just do. What are you? You all right about |
24:22 |
I'm having a horrible time. Hey [ __ ] [laughter] |
24:30 |
And that's trapped in the center of [laughter] |
24:35 |
the [ __ ] lord. Somewhere. So the story takes place over a week. Yeah, |
24:40 |
something like that. Do any of them die or what happens if the guys in the middle die? Yeah. Um, |
24:46 |
you know, I can't I can't actually remember if someone in the centipede dies. Like the middle or |
24:53 |
the back I think might actually die. The front guy is like um if someone in the middle dies, |
24:59 |
the person who's cell taped to the guy stapled to the guy that's dead. He ain't getting any |
25:08 |
excrement from that, is he? Uh, I mean long term is no. Yeah, you might get some like No, |
25:16 |
cuz the body's got to like push it out. Like I know the body can still produce [ __ ] after a |
25:22 |
while, but you know, we've all heard of like monging. Is that what it is? Felchin. No, |
25:27 |
that's not Monging. Monging. That's the one. Took [clears throat] a little bit of Yeah. Great for |
25:34 |
that one. If you want to know listeners monkey, [laughter] it's probably best. It's probably for |
25:40 |
the best. They don't know. Look it up. Regardless of if they want to or not. Look it up. [laughter] |
25:48 |
Endorsed here first. Trapped in the cube. Brought to you by Mangor. [laughter] |
25:59 |
Imagine people pay money for that. Someone's got [laughter] |
26:03 |
[gasps] Someone's got it. There's that's got to be a CD operation somewhere. Like you go |
26:08 |
to a coroner. Oh, CD. I'll give you 75 quid and let me m this person. [laughter] You know, but I |
26:17 |
always find like in my head it was always better if the corpse was dug up like it tasted different. |
26:22 |
I don't know. [laughter] You don't want it from a coroner. The body will all be like frozen. You |
26:27 |
want that bloated belly and gas. That is what you want. So when you allegedly So when you land on |
26:34 |
So when you land on it, I thought [laughter] we weren't going to tell them. No, they can figure |
26:37 |
out through context clues. Context clues. Yeah. So that's my thoughts on Human Centipede, right? |
A Serbian Film
26:44 |
Okay. What's another [ __ ] [ __ ] movie? Uh not necessarily [ __ ] cuz it is well shot. Uh is um a |
26:53 |
movie called Serbian Film. Oh yeah. I've I've also not seen that. [clears throat] Again, probably |
27:00 |
best not to. I've heard horrible things. It's It's a difficult watch and uh when the credits roll, |
27:07 |
what makes it a horror? You only feel bad. Is it just cuz it's just disgusting what you're |
27:12 |
watching? Does that make it a horror? It's Yeah, it's like it's like sort of psychological sort of |
27:18 |
body horroring part. [snorts] Yeah. Yeah. What is the plot of Serbian film? Um set in Serbia. Oh, |
27:26 |
so it's not about one of those things that like people sit on and just ride until they, you know, |
27:32 |
get off. Yeah. So, it's not like a Cibian film. It's not a Sian. That'd be a lot nicer to watch. |
27:38 |
Oh, that would be a lot more palable on the eyes and ears [laughter] and I'd feel less guilty if |
27:44 |
I got off to that. God damn. So, the plot, uh, I cannot remember any of the characters names. Um, |
27:54 |
main character uh is Joe Sian. John Serbian. It's John Serbian, right? And John Serbian is |
28:03 |
a retired porn star. He's like in his 50s, call it. Oh, so I'm not that far off with the Serbian |
28:10 |
thing. Not that far away. Uh, regarded as the best porn star that Serbia has ever seen. All |
28:20 |
right. Okay. But he's retired now. That's it. Done. Right. [laughter] John Serbian, |
28:28 |
we've got one more mission for you. I mean, [laughter] we've got one more job. |
28:36 |
[laughter] This uh he gets reached out. Yeah. [laughter] |
28:47 |
Cuz it sounds [clears throat] like reach your own. That's why All right. Okay. He gets reached out to |
28:51 |
by um [laughter] by this uh director who who he who wants to cast him. He he wants uh he wants |
29:00 |
John Serbian in his Serbian film. Yeah. Right. In this uh contemporary sort of pornographic, |
29:08 |
but he wants the best. He wants he wants the guy that can [ __ ] Do you know what I mean? It's like |
29:14 |
the whole we need um what's his name? We need Bruce Willis to drill a hole in this asteroid |
29:19 |
and only he can do it. Yeah. No one else can. He's the best driller around. [laughter] He's |
29:23 |
the best hole driller on the planet. We are not going to train astronauts to drill a hole. We |
29:30 |
will get this normal man and his normal oil crew. [laughter] We'll teach it. Somehow it's easier to |
29:37 |
teach them to be astronauts than [laughter] it is to teach an astronaut to turn on a drill. No, |
29:43 |
it's not. You gota you've got to have Bruce Willis going up into space because he's the only man that |
29:49 |
can drill. Do you know um [laughter] did you know Ben Affleck who was it who directed the film? It |
29:55 |
was it was Michael Bay was it? Armageddon. Yeah, it was Michael Bay. I know. Ben Affleck famous |
30:00 |
story. Ben Affleck went to Michael Bay and he proposed to him that exact same question. He went, |
30:06 |
"Hey Mr. V. [laughter] Hey Mr. B. Hey. Um, hey Michael, wouldn't it be easier to um send |
30:15 |
astronauts up and train them to drill and then Michael Bay turned around to Ben Affleck and said, |
30:19 |
"Shut the [ __ ] up. Let's just make this film." [laughter] [ __ ] hell. It's one of those films |
30:24 |
I want to watch. I've got it on DVD and I probably got the commentary track on that DVD, |
30:27 |
but I need to listen to it. I've never have done. But apparently the commentary track is just Ben |
30:33 |
Affleck talking about how [ __ ] the film is and the concept. [laughter] He's not wrong, |
30:40 |
but I really like the film Armageddon. You know, you got Liv Tyler in there. You got |
30:45 |
Live Tyler. Daughter of Steve Tyler. The daughter of Steve Tyler. Steve Tyler did that song. Steve |
30:51 |
Tyler did that song. I don't want to close [laughter] my eyes. Oh, I'm singing again. I |
30:57 |
don't want to. Anyway, you absolutely wanted to. Servian film. Servian film. So, the only |
31:03 |
man available for the job. The best. the best driller. The best driller technically has ever |
31:11 |
seen. [snorts] Um, [clears throat] each scene that this uh director Mhm. wants this guy to do. Why is |
31:19 |
this guy so good at porn? Like, what makes him the best? Big dick. Is that it? Large penis. Uh, |
31:27 |
can get an election on command, I think, is one of his, uh, party tricks. Come when called for, |
31:33 |
maybe. Yeah. Yeah, he can do it all. He's the best. It is. Yeah, just I mean I I don't know |
31:44 |
what the uh it's been a while since I've seen this one as well to be honest with |
31:48 |
you. [laughter] Uh I can only go off and you not get hard on demand. I mean, does this answer |
31:56 |
your question? [screaming] [laughter] [gasps] Watch this. Hey listeners, get ready for this. |
32:06 |
Hard. [laughter] Yeah. Soft. Here's here's the biggest trick of all. Soft. But come [laughter] |
32:21 |
Yeah, but come. Oh, imagine if you ejaculate while flaccid. Ejaculated while while flacid. |
32:30 |
It just be [ __ ] dribbling all over the place, |
32:32 |
wouldn't it? Which is terrible. Be weird. You wouldn't be shooting ropes, |
32:36 |
are they? You just be dribbling. You'd be dribbling ropes. Yeah, you'd be [laughter] |
32:42 |
Unless it still came out with like full force. I feel like it had pushed the penis back quite a |
32:47 |
bit. You know, like there'll be some recall on the like a fireman's hose. Is that what you're getting |
32:53 |
at? Kind of. Yeah. Yeah, maybe. I don't know. Ash agrees. I just [laughter] so each scene that this |
33:03 |
guy wants to film and [clears throat] it is like a lot of it is very contemporary like sort of like |
33:09 |
though that's weird actually that is that even considered porn. Does he film in black and white? |
33:14 |
He doesn't. Oh, I thought he would cuz he might be artsy fartsy like that. I mean we can watch it in |
33:20 |
a bit if you want. I don't want to. I know you I I don't really want you to. I don't think he's such |
33:25 |
an innocent boy. I don't want your mind ruined. But [laughter] but [snorts] yeah, each scene gets |
33:32 |
uh increasingly more strange, more violent as well. Um it it doesn't [laughter] I mean it |
33:42 |
it it shows you a lot of [ __ ] you know what I mean? It it it isn't scared of being like, |
33:48 |
"Hey, don't use your imagination. You don't have to because I'm going to show you all |
33:53 |
of it." Right? crescendo like so like where is in seven they showed you the |
34:00 |
um the bladed dildo but they didn't actually show it being but when I always remember that I'm like |
34:07 |
oh yeah that scene was horrible and then when I rewatch I'm like there's no scene in there. Yeah, |
34:11 |
you we just remember it being but the whole visual alone is enough cuz your mind creates |
34:18 |
that absolute horror of what that poor woman would have gone through. Oh god no disgusting. Not that |
34:23 |
I'd want to see that on a film. Yeah. If any director was brave enough though, [laughter] do |
34:30 |
it or not. [snorts] Absolutely not. So, yeah. So, the crescendo of um Sibian. [laughter] Yeah. Yeah. |
34:41 |
Of uh Serbian film. um when the uh director mid scene uh is just really happy about about |
34:55 |
what he's filming and he when you say really happy he's like got got an erection. Is that |
35:01 |
why he's what you're saying? It's like he's that he's really happy about what he's filming. No, |
35:04 |
he's he's just beaming. He's just smiling from ear to ear. and he says something like |
35:10 |
um [ __ ] he says something that along the lines of this is a true Serbian family. [laughter] |
35:22 |
Is that like his catchphrase? No, it's the only time he says it in the |
35:25 |
movie. [laughter] My god. I'm not going to go into what what's happening. Uh you're talking |
35:32 |
about the baby scene, right? No, there's no baby in it. There's no baby in it. No, |
35:36 |
I always that's what I always heard about I always heard Serbian film had a a graped |
35:41 |
baby scene. Oh [ __ ] You know what? Yeah. That's why I thought it was all like that's |
35:46 |
why everyone was talking about it. Yeah. Yeah. So that's not even the most disgusting thing. |
35:51 |
It's not the [ __ ] baby [cough and clears throat] getting raped. Nothing that. You know |
35:58 |
what that says? I loved it. [laughter] You know what? I will not have you speak ill of the baby |
36:04 |
grape. [gasps] Oh my god. Go [laughter] on. Go on. Defend the baby scene. I don't think I can. |
36:15 |
I [laughter] thought that was what everything was building to. Oh my god. How does it get |
36:21 |
worse? I don't think I should [laughter] say. At least at least not on not on being |
36:27 |
uh recorded. I I will I will tell you later on. |
36:31 |
again. Don't tell don't you know what? Subscribe to our Patreon, man. [laughter] |
36:38 |
That isn't set up yet. If you want if you want me to talk in more depth about Serbian |
36:42 |
film, [gasps] you will have to pay me for it. Yeah, that's fair. When that's set up |
36:48 |
and if there's demand for it, we'll just do a secret episode which is just Jack going in on |
36:54 |
um why baby grape is um No, not by that. [laughter] No, no. You're just you're not |
37:02 |
elevated enough to understand the nuances of it. [laughter] It's about the innocence. |
37:15 |
[laughter] |
37:15 |
[gasps] What I'm getting at is that there are more graphic things that are being shown, |
37:20 |
right? Do you know what I mean? That happened for a lot longer. Yeah. It sounds like it would be |
37:25 |
nauseating to watch. Yeah. [clears throat] Yeah. You have um reminded me of um horror films. Have |
The ABCs of Death
37:32 |
you ever heard of a a series of films called The ABCs of Death? Yes. Have you seen any of them? |
37:39 |
I've seen the first one. I've seen a long time ago. I've seen I think I've seen the first one. |
37:44 |
I've seen the second one. And I don't know if you knew this. They did they did a film which was all |
37:53 |
M's. So like essentially the concept of ABC's of death if you didn't know it was like here's an or |
38:00 |
here's a horror short directed to layer A horror short directed letter B C D E and so on. Yeah. |
38:06 |
And it's it's a different v director for everyone as well. Each one. Yeah. It's really good if you |
38:10 |
want to watch it. Yeah. Definitely. One of them that really stood out to me cuz you were talking |
38:14 |
about Serbian film and it just stuck with me in such a horrific way was um the whole concept. I |
38:21 |
can't remember if it's in the first or the second one. Or it could have been the one that was all |
38:24 |
ends. Don't know why. Um, again, it's not even called ABC's Death. It's like ABC's of Death 2.5 |
38:32 |
or something like a mid one, but there's nothing in the title that suggests you're watching all M |
38:36 |
related films. I imagine they just got an influx of like really good M short horror films. Anyway, |
38:43 |
I think it's in the second one, but um the plot is is there's a guy in a room. Honestly, sorry, |
38:52 |
sidetracked. Human centipede probably should have been in ABC's The Death cuz that's just Yeah, |
38:57 |
that that could have been 10 minutes. Yeah, that could be 5 minutes easily. So, yeah. Anyway, |
39:02 |
there's one so one story that really me cuz it's so horrific and it just like it sends like it's |
39:08 |
just chilling. So, it's like there's a guy in a room. He's strapped to a chair and then he's |
39:13 |
presented with like a beautiful woman or anything. He's got to masturbate. He's got to come and if |
39:18 |
he comes he survives and then he's got to keep going and then they keep changing the image out. |
39:23 |
Have you seen this one? It it's it's familiar. [clears throat] So they keep changing the image |
39:28 |
or the image. It's not an image. It's a person. So like but I think he's in competition with someone. |
39:34 |
So I think there's like two of them and it's the first one to come gets to live basically. |
39:39 |
So, uh, bring out a sexy woman, quick wine craz, see who comes first, who if you don't, |
39:46 |
you you get out. It's like a sort of Hunger Games situation, [laughter] I guess. It's a real battle |
39:53 |
royale come. Um, it is it's essentially just a battle royale, which is you and someone else, |
39:58 |
and then someone gets swapped in and whatnot. And then eventually the images get weird. So, |
40:03 |
it's like I don't know, set of drawers, cupboard, and then the the last one that they bring out is |
40:08 |
just a [ __ ] child, you know, and then this guy is in this chair and he's like thinking, "Oh, |
40:14 |
can't do this. This I think I'm going to lose this round." And then he turns and see they wheeling |
40:19 |
in his next. He's clearly a [ __ ] sex pest. And he's licking his lips and he's all excited |
40:24 |
about it. He's probably already come. [laughter] It's just how and that's just how it ends. And I |
40:30 |
just thought that really sucked me. That one's some one about a fat woman who doesn't want to |
40:35 |
be fat and ends up like shaving us shaving her body off. Yeah, that one only French one though, |
40:41 |
I think. I think it was I can't remember what it was, but that one sticks out with me because um it |
40:45 |
was [ __ ] horrific to look at. Um [laughter] was another one Chinese or Japanese? Oh, |
40:54 |
that sounds racist. Um or Asian people. I I don't know. I don't know. [laughter] I can't remember. |
41:00 |
I'm going to go with Japanese because it was um there's a few Japanese ones in there. There's one |
41:05 |
about some woman just farting in people's faces. That was weird. Makes a guy's face all tiny. |
41:11 |
Everyone's seen that famous GIF meme where that guy with a dead tiny face. That's from one of the |
41:16 |
um ABCs of death. There's another good anthology series very similar called um I think it's called |
41:22 |
VHS. There's a few of them. I think a new one's just come out and I've seen VHS one and two, |
41:29 |
I believe. Yeah, I think I've seen them both. I like those sort of horror films cuz it's like I |
41:34 |
think horror as a concept is good. Like I have a concept for a story, but I don't want to flesh it |
41:42 |
out. And I feel if I do flesh it out, it's not scary anymore. Yeah. Like I also really like |
41:49 |
them cuz it's snappy. It's to the point and you don't need an explanation for things, you know, |
41:54 |
still a [ __ ] in it. It's just this is the scary thing and this is why it's scary. No, |
42:00 |
it's over. Like the worst thing about horror films or any or any spooky film is when everything's |
42:06 |
been explained, the the monster, the slasher, whatever it is, the person has been shown, |
42:12 |
it's not scary anymore. You're just getting to the end. You know what I mean? But the whole illusion |
42:18 |
of oh this is interesting and I think with like 5 10 minute short 15 minute shorts sticks with you |
42:25 |
a bit longer like like I think it's easy to come up with concept like I've always thought about |
42:29 |
um like a short horror which would be like do you know the concept of like you know you can |
42:34 |
feel someone watching you what if someone was watching you but every time you'd looked they |
42:39 |
just were gone you know but they are there but you can never see them but other people |
42:45 |
can't like they they don't exist if they're observed upon, for example. And this person, |
42:51 |
let's just say he can only regain sort of like a corporeal presence back if he murders you. But |
42:59 |
if he's observed by anybody, he um you know, he vanishes. He's he's he's disappeared until he's |
43:06 |
completely not observed by anyone. But he he has a specific person that he has to kill, you know. |
43:12 |
So, I don't know that as a concept. Mine's coming out. What? When's it coming out? I |
43:17 |
don't know. [laughter] When are you making it? But that as a concept would work for like 10, |
43:22 |
15 minutes. I feel like I could literally with my shitty expertise of nothing. I reckon I could put |
43:31 |
that concept on film with a shitty camera and a mic or whatever. Oh, yeah. Yeah. And it hit home |
43:37 |
what it needs to hit home. But stretching that out to like [ __ ] 40 minutes. 40 minutes films |
43:41 |
are even that short. [laughter] I wish some films were 40 minutes. Stretching that out to an hour |
43:46 |
and a half, that would be a slo. Like you get some films like um one came out recently. I I can't |
43:52 |
remember the title, but uh one of our friends saw it. Um guy mine guested on this I think every now |
43:59 |
and again, but he's it's essentially just people trapped in the in a pool outside. Oh yeah. [ __ ] |
44:06 |
That that's the whole [ __ ] film. They're just in a pool outside and there's a killer about. I don't |
44:11 |
know why they can't get out. There's a reason. I don't think I'd want to. Yeah. I don't I I don't |
44:16 |
think I'd want to watch that for over an hour. But essentially, that is the film. Yeah, cuz how how |
44:22 |
do you even It's a haunted pool. That's it. It's a haunted pool. You can't get out. It's a scary |
44:31 |
pool. Yeah, it's a spook pool. A spool. [laughter] That's just what you wine bobbins around. Wine |
44:39 |
boobins on. [laughter] I thought you were just getting really excited for boobs then. Um Oh my |
44:47 |
god. We talk about good horror films. I would love to. I would love to actually away from this pieces |
44:54 |
of [ __ ] But one of my favorite horror films of all time is The Thing. That's what I've got down |
The Thing
45:01 |
as well. I just think like I I I put Alien in with it as well. And then I feel like bad for going |
45:07 |
Alien and The Thing. My favorite horror films cuz they lean more into sci-fi. I'm a very I'm more |
45:12 |
of a sci-fi kind of guy when it comes to anything genre wise. Give me something in space. I'm like, |
45:17 |
"Oh yeah, I'll watch that. Cyberpunky, whatever. I prefer futuristic sci-fi settings for stories." |
45:24 |
You could even go as far as said the first Terminator is a horror film. Yeah. You know, |
45:27 |
like in the slasher category. But no, um I think the things one of my favorite horror |
45:33 |
films and then alien probably second favorite. Just the level of suspense that they build up. |
45:39 |
Yeah. The [ __ ] soundtracks phenomenal. It's like it's one of those soundtrack tracks that |
45:44 |
makes you feel tense like constantly from the start to the very end. It's just a there's |
45:51 |
if you were to hum the theme stream from the thing, you can't cuz it is just [clears throat] |
46:02 |
and it's just that I was feeling sad. Do do a bit |
46:06 |
more no cuz I feel it won't [laughter] come across well. |
46:12 |
But essentially I think most of the soundtrack is just that. But um yeah, |
46:18 |
it's just it's it's it's not really a um a certain track. It's more certain design, |
46:26 |
isn't it? It's more Yeah. It isn't it isn't music. It's it's just just |
46:32 |
noises. Just noises that make you [laughter] feel uncomfortable. Yeah. But Yeah. Yeah. Uh |
46:37 |
there's there's a real feeling of uh claustrophobia. Dread to it. Dread. |
46:43 |
Dread. [laughter] I agree with you. It was just just funny that you said it before. [laughter] |
46:53 |
I like I think what makes it so good is it's the biggest fear of all time. It's the fear |
46:58 |
of unknown. Yeah. Cuz you don't know who to trust. You don't know what's what. It takes me a while to |
47:03 |
figure out that there's even a a thing knocking about and that is the only word for it. Yeah, |
47:10 |
cuz it is a thing. They do give you some lore in the film and I think it's just enough to not |
47:17 |
make you go, "All right, so it's an alien. Is it Crest spaceship? Is it frozen thing that it came |
47:22 |
out of?" Yeah, that's enough. I think there is a part of me that goes, I would love to know more. |
47:28 |
I don't necessarily need to know more. And I feel like if I knew more about what planet |
47:32 |
did it come from, what's it species like? Who built the spaceship? Did it turn into something |
47:38 |
that flew the spaceship? What does it originally look like? I don't need all that, but a part of |
47:44 |
me still wants it, but I feel that I'd ruin it completely, but I I absolutely love the thing. |
47:49 |
One for the special effects alone. I was I was going to bring that up because practical effects |
47:55 |
will trump special effects, like the sort of CGI [ __ ] Oh, yeah. Every day, every day of the week, |
48:02 |
practical effects will win. Hard agree. had hard agree to like the point where if it's made with |
48:08 |
the mindset of you, you know, right, you need to do practical effects like they did on the thing, |
48:13 |
you need to have all your shots done to a tea. Like if you film it from any other angle, it |
48:18 |
falls apart. So if you're lazy with your practical effects, they can look weak, you know, or cheap or |
48:23 |
whatnot. But I feel if you're not doing it, it's you can do practical practical effects and make |
48:29 |
them look like [ __ ] But you can also do a lot of CGI. Make it look like [ __ ] Easier than it |
48:36 |
is to do practical effects, I think. Oh, yeah. I mean, for like CGI stuff, you you have to spend |
48:42 |
money on it. You have to spend a shitload of money on it. Like, did you hear about the story in like |
48:47 |
the prequel to the thing that came out where um everyone had a go at it cuz it was like you're |
48:53 |
not using practical effects. It looks [ __ ] They built a lot of [ __ ] practically and then they |
48:58 |
just replaced it with digital models. Yeah, I know. So, the director could film from certain |
49:03 |
angles or he wanted things done on a different shot. I'm like, but we've built this to look |
49:07 |
on from this point of view. It looks really good. And it's like, no, but I don't like it. |
49:12 |
Got rid of it. Done. Insane. I did I did enjoy the prequel, but I would have I would have loved |
49:20 |
it if it wasn't full of CGI. Yeah, I think for me as a prequel that came out in like the mid 2000s, |
49:28 |
I can't remember when it was. I feel like Mary Elizabeth Weinstead was in it, weren't you sure? |
49:34 |
Yes. I feel like they spoke to they sounded modern with the language. Like when I was watching it, |
49:41 |
it didn't feel like a bunch of people from the 70s. Yeah. Or 80s. It just felt modern with the |
49:48 |
way they were talking. I know it wasn't, but it was still it was serviceable. It was a serviceable |
49:53 |
prequel. It was fine cuz like But then again, it it does that thing like where the first thing |
49:58 |
where they go to that um was it a Russian sort of camp or something? It was it was something. |
50:05 |
I can't I can't remember. They go to that outpost and then the whole question is, "Oh, I wonder what |
50:09 |
happened to this outpost." And it serves that answer of like, "Oh, this is what happened." |
50:13 |
And it's like, I didn't really need that question, but no, the thing's [ __ ] fantastic. |
50:19 |
Just the whole scene like probably one of my favorite scenes was where they're all testing |
50:23 |
the blood. I don't like the way that um bit of copper sounds in the bowl though. It scrapes it |
50:29 |
goes through me. I mean that as well you you could say design. It's just made to make you feel you |
50:37 |
specifically. [laughter] It's made to make you feel uneasy. And even though in a rewatch I do |
50:43 |
forget like who is the thing? Oh no. This person the thing. Yeah. Is Kurt Russell the thing in |
50:49 |
the end? Is it Kurt Russell? It is Kurt Russell. Is Kurt Russell the thing in the end? Is it the |
50:55 |
other guy? Is it his friend? Is he also the thing? Are they both the thing? I think I think that the |
51:03 |
only real safe bet is that Kurt Russell isn't the thing. Yeah, because he's more main character in |
51:09 |
it. Yeah. Whereas everybody else there's there's at least a slight chance that they are the thing. |
51:16 |
I would like to think that they were both human at the end and they just both don't trust each other, |
51:21 |
which is natural. You wouldn't. Yeah. But Yeah. Yeah. But if you've played the thing PS2 game, |
51:27 |
it's it's not Kurt Russell's fine. And then the game continues. But [snorts] I've not played |
51:33 |
it. I've not played it. And the remaster is coming out, you know, apparently this |
51:37 |
year. Oh yeah. But [clears throat] by Night Dive Studios who just do all the old remasters. So, |
Alien
51:45 |
Alien as well. Very similar to why I really like it. Just that suspense. I don't think you see the |
51:51 |
alien for ages in that film. You don't you don't see it for a [ __ ] very long time. Or at least |
51:57 |
not in full view. Not in full view. No, you see like silhouettes of it. Yeah. Silhouette like |
52:03 |
it's shape in the dark. And the and the beauty of that film is like especially the beauty of |
52:09 |
that film if you've seen it for the first time which ruins it with any sequels and stuff because |
52:13 |
we all know what a xenomorph looks like now. Our minds can't really like comprehend what that is. |
52:19 |
Like what is it? It doesn't look like anything to me. Like when you see a leg or like its elongated |
52:24 |
head or a tail or it in the rafters or whatever it is on the ship, [laughter] you're like what |
52:30 |
the rafters? He's on the ceiling. Like, let him down. The [ __ ] is What is that? I've never seen |
52:37 |
anything like that. And then you want to you want to see the full thing and then when you finally |
52:41 |
see the full thing like stand up, it's like a [ __ ] that's terrifying. That's absolutely [ __ ] |
52:45 |
terrifying. Which I always like I I always prefer, this is like controversial. I think I prefer the |
52:52 |
first Alien film to Aliens. I just prefer that mood, that suspense, that atmosphere that the |
52:59 |
first Alien is. Whereas like I completely agree with you. I think I think they fell off quite |
53:04 |
quick. A lot of people I don't think Aliens is a bad film. No, no, no, no, no. But I think a lot of |
53:10 |
people's there's a decline. There's a decline. A lot of people prefer Aliens cuz there's more |
53:15 |
action in it. There's more whatever. Jim Cameron's directed it has just come off doing Terminator 2 |
53:21 |
and a lot of people argue Terminator 2 is better. Again, very Terminator 1 and Terminator 2 are very |
53:27 |
similar to the Alien and Aliens cuz it's like first one being stark, suspenseful slasher kind |
53:34 |
of vibes and then the second one of both sequels very bombastic, very fast, very bombastic. There |
53:42 |
you go. Yeah. But yeah, it's very that is it. It's like Terminator 2 is all action. It's all it's fun |
53:49 |
action and so aliens is but that whole military guys being dude bros going in fighting like the |
53:55 |
first alien was considered like oh how the [ __ ] do we kill this thing we can't then you just got a |
53:59 |
bunch of military guys with like guns and they ripping through a load of them like nobody's |
54:04 |
business and the whole and every Alien film falls short of this. You'll never get back the tension |
54:10 |
of someone having a face hugger attached to the face and having something gestate inside them. |
54:14 |
Yeah, cuz they thought at the time with that you thought the guy who got um William hurt, |
54:20 |
you thought he was fine and then couple of days or a couple of hours go by and then his chest starts |
54:26 |
exploding when now we're all waiting for it. We all know we're waiting for it cuz we've all seen |
54:31 |
this like there's been about like seven of these films now and it's like someone gets attacked with |
54:36 |
a face. We're all waiting for this chest burst to come out. And I think the directors know that |
54:40 |
and they're all like, "All right, let's just make it happen quick. Let's have Let's have this thing |
54:45 |
attached to this guy's face. Let's have this thing burst out of his chest. Let's get this alien on |
54:49 |
screen now. Fully grown alien there. Boom." You know, and it's like there's no suspense. There's |
54:54 |
no waiting. And I suppose you can't do that anymore cuz we all know we all know what's coming |
54:59 |
and we want that. I'd be bored if I watched a new alien film. You're taking your time a bit, aren't |
55:04 |
you? get to the alien [laughter] cuz it's one of those things. Yeah, you can't do it again. It's |
55:12 |
one of those things that you can't do it again. Alien is an absolutely fantastic film and it is |
55:15 |
only enjoyed like not once but going forward with the lore of what they've created in that world. |
55:21 |
You can't it's hard to make it entertaining. Alien Romulus was fine. That's my review of Alien. It |
55:29 |
was fine. It was fine. It was okay. [laughter] It was fine. It didn't do anything groundbreaking. |
55:36 |
Didn't do anything extra. It was just fine. I I I don't think I got spooked once during it, |
55:42 |
though. Well, that's no good for this uh podcast. Spooky season, is it? God damn. I'd say we both |
Talk To Me
55:50 |
watched horror recently. Well, I watched it last year, but you watched it yesterday. Yeah, |
55:54 |
I watched it last night because I thought, hey, [laughter] I'll bring up something new for this |
56:01 |
uh for this recording now. The movie's called Talk to Me. It's on Netflix. I'm talking to you. |
56:10 |
It's on Netflix at the time. It's on Netflix at the time of recording. At the time of recording, |
56:14 |
it's on Netflix. I think it's one of those only on Netflix things. It's probably going to stay |
56:20 |
on there for a long time. Was it a Netflix original? I don't think they call it Netflix |
56:24 |
visuals anymore. I don't [ __ ] know. I don't know what they're doing. But yeah, I [snorts] just |
56:29 |
don't know. I'm going to try [laughter] cuz I saw it a year ago. I'm going to try and recap what I |
56:37 |
think the plot is and then you can you can tell me otherwise where I'm wrong. Bunch of friends, |
56:43 |
Australians. It is an Australian film. I believe it's Australian. Bunch of Australian friends. Um |
56:49 |
there's this denomic mannequin hand. Looks like a mannequin hand anyway, is it? Um, |
56:56 |
they're having a couple of house parties and the whole crux is you hold on to the hand, you say, |
57:02 |
"Talk to me." And then a dis then a spirit attaches itself to the hand and has a chat with |
57:07 |
you and you feel a rush. Yeah. Right. But if you hold on to it too long, the spirit or demon can |
57:14 |
get inside you. Yeah. Right. Um, do you want me to uh start attaching specifics? Yeah. Yeah. Uh, |
57:22 |
the hand [clears throat] is an embarmed hand of a medium. I do not remember. Like a a long dead |
57:32 |
psychic or something like that. Long psychic. [laughter] A very long psychic. [gasps] The |
57:38 |
most famous medium of all. Lenn Lenny the Lenny the length. They call [laughter] him |
57:48 |
Long John Psychic. [laughter] That's what he was called. Oh, |
57:52 |
we'll contact the dead. His head's in clouds. [laughter] |
57:58 |
Like he's not focusing. We Hey, no. He's just really long. His head. His head's in heaven. I |
58:06 |
just want to talk to my mom. [laughter] Hey, who you calling John? Who you calling long |
58:13 |
neck? [laughter] [gasps] So, yeah. The hand itself is uh the right hand of a long dead |
58:22 |
medium that's [laughter] been bombed. Whatever. Right. Um how tall was it? I don't know. It was |
58:29 |
long. Very long. Very long. Uh yeah, you hold it, you say the magic words around it, |
58:38 |
right? Or is it just gibberish? Yeah, it's sort of graffitied [ __ ] that kids have written on |
58:43 |
it. just flavor text just to make it look more spooky. [laughter] Yeah, cuz cuz a |
58:48 |
seven hand isn't spooky enough. Some kids have scribbled at all. Some kids have scribbled boo |
58:57 |
and 666 on it. [laughter] Maybe maybe there's [snorts] a pentagram scribbled on there. Biggity |
59:07 |
a ghost. Yeah. So it's scrolled with that. It don't mean anything. And it's just, yeah, |
59:13 |
some kids got a [ __ ] tip. Tipex. Tipex. Yeah, why not? A Sharpie. Sharpie. That's the one I'm |
59:20 |
looking for. The opposite of a tipex. [laughter] The greatest enemy of a tipex. The nemesis, |
59:29 |
I think. Yeah. So, you hold the hand, you say, "Talk to me." Uh, a spirit at London will |
59:36 |
uh show itself to you as if you were holding the spirit's hand. Yeah. Once you've made that |
59:42 |
connection, you say, "I let you in." The spirit then has access to your body. Oh |
59:49 |
yeah. You are now possessed by the uh spirit, right? If it goes on for more than 90 seconds, |
59:56 |
the spirit will be uh attached to you. All right. Yeah. So, main character Mia. Mhm. Um, |
1:00:07 |
she had all of it for like 9 [ __ ] three seconds, right? Which, granted is not much over the line, |
1:00:14 |
but it's still over the line. Yeah. Can I just say before you go into the rest of the plot, |
1:00:18 |
if you were at one of these house parties and witnessing this? [laughter] I already |
1:00:23 |
know the question. Absolutely not. Let me finish. You're at one of these house parties, right? Oh, |
1:00:29 |
yeah. Hang on. Let Let me just get into the mindset of it. Close my eyes. [laughter] |
1:00:37 |
That's what it feels like. You're one of these house parties and then there's |
1:00:42 |
a bunch you're witnessing this going on and then you don't know whether it's real or not, |
1:00:47 |
which I imagine some of them. They've all tried it. It's real. It's like um it's like |
1:00:50 |
a high. It's like a trip. It's like whoa. It's insane. Whatever. So, you try it once. Would you |
1:00:56 |
do it a second time or would you just leave and never talk to any of those people ever again? |
1:01:03 |
You know what? I don't know because I don't know how it feels like the way that it feels |
1:01:11 |
or the way that they were portraying that it feels is this like in incredible [ __ ] rush. |
1:01:17 |
I guess like it all of them are having the best time. Would you be would you have the |
1:01:25 |
um bravery to even hold the hand and say talk to me in the first place after hearing what it is |
1:01:31 |
and what has happened and everyone says it's true. [snorts] I think genuinely I think that it would |
1:01:36 |
take me a lot to build up. I don't think I would I don't think I could. I'd be like no even then |
1:01:42 |
I watch you guys do it. I would not I I absolutely would not say I let you in. Oh no. I'd say talk to |
1:01:50 |
me as like a I want to experience what what what kind of thing everyone else is seeing. As soon |
1:01:56 |
as as soon as you say that and you see like an actual [ __ ] spirit in front of you and you go, |
1:02:01 |
"All right, I'm a spirit. I'm thinking you going to you going to let me in?" No. Just stay over |
1:02:05 |
there. Stay away from my body. I'm I'm letting go now. Can you just let go? Do you have to say |
1:02:11 |
let me in? You don't have to. What happens if you don't say let me in? Do people say that |
1:02:15 |
or do they just look at it and then just let go? Well, towards the end of the movie, Mia make outer |
1:02:23 |
uh was using the hand to talk to her mom, I think it was. Yeah. Yeah. [snorts] She was just having |
1:02:31 |
the conversation with her. The whole I let you in thing is is just so that this can inhabit your |
1:02:38 |
body. Cuz it feels good. [laughter] Yeah. Why not? Yeah. Yeah. Yeah. But as it's established, I guess |
1:02:49 |
you can't just make a connection with a spirit at random and then just have a conversation. Pretty |
1:02:57 |
coincidental that it just happened to be a dead mother out of all the spirits. Is that explained? |
1:03:02 |
I can't remember. It's not explained, but it's implied. Is it cuz she died recently or No. |
1:03:10 |
Something to do with a brother holding it as well? Did a little brother hold it as well? No. Oh. Uh, |
1:03:16 |
I'm sure I remember a kid holding it that just could never like he held on to it for too long, |
1:03:20 |
right? And then this kid was like comos for the rest of the film or I think of a different Yeah. |
1:03:24 |
No, no, no. Yeah. Um, and they all have to like rush the hand to hospital to him or something. |
1:03:30 |
Yeah. Well, it's been a while because he had hold of the hand for too long. Like they just couldn't |
1:03:36 |
get the hand off off his [ __ ] grip. Yeah, he had that grip. a special grip that [laughter] I want. |
1:03:43 |
But you're all thinking it. You know the grip. He had that grip. Special grip. [laughter] That's |
1:03:48 |
all. That's all I'm saying. They know. [laughter] So, at the time it was 90 seconds. He had all of |
1:03:57 |
it for 120. That's two whole minutes, right? Uh he is now long-term under the control of this |
1:04:05 |
spirit that he let in. Yeah. Every time. Yeah. So he he tried to kill himself, right? Whilst |
1:04:14 |
under the spirit's control. Oh, under the spirit's like I was going to say I thought he was a kid, |
1:04:17 |
but yeah. Yeah. Try to kill himself because the whole thing about it is if you die whilst |
1:04:24 |
under the influence, your soul will then be trapped with the rest of these spirits. Fair |
1:04:30 |
enough. Yeah. Yeah. [laughter] That's the way it is. Uh the reason why I was saying that it's |
1:04:37 |
implied about [clears throat] her mother, right? Um she's been seeing ghosts while not having hold |
1:04:45 |
of the hand because again she had hold of it for too long, right? It's sort of implied. No, |
1:04:51 |
I I think it's I think it's actually said that um once once they get in, they sort of know what |
1:05:00 |
you're thinking, right? Like they have access to memories and [ __ ] like that. Fair enough. Um, |
1:05:07 |
her mother. Mother. Yeah. Yeah. Wasn't her mother. Oh, none of this is ringing a bell. Well, |
1:05:16 |
yeah. Yeah. It was another spirit of another Oh. pretending to be the face of the mother. |
1:05:23 |
Right. Right. Yeah. That sense. So, this this other spirit was feeding her dud information. |
1:05:30 |
Yeah. About what what she should do next. So she could be free as a whatever entity spirit she was. |
1:05:39 |
Yeah. I think I think I think it's more about the uh child's soul finishing [clears throat] the job |
1:05:45 |
or something like that. I remember the ending of the film being all like I remember watching the |
1:05:49 |
ending and thinking, huh? Okay. Yeah. And that's where the ending left me cuz me dies in the end, |
1:05:55 |
right? Yeah. [snorts] I just get hit by a car or something. Something you get hit save by a |
1:05:59 |
car or something. Yeah. Exactly. Something super lame like that. But does she manage to clear all |
1:06:04 |
the spirits from everything? Is it jobs a good or is it one of the ambiguous endings? It's sort |
1:06:09 |
of ambiguous. Um, would you want a sequel? I wouldn't. Do you know what? I wouldn't mind |
1:06:15 |
a sequel. I mean, I think The Hand is still out though. Yeah. It's one of those things where I'm |
1:06:22 |
surprised it's not had a sequel cuz it came out a good few years back now. I think about |
1:06:26 |
two or 3 years ago. And you think films like that are like easy to make, cheap, whatnot. |
1:06:31 |
Yeah. Yeah. Crank out a sequel. Well, I I also respect them for not doing a sequel, [laughter] |
1:06:39 |
but yeah, I I liked it. There's a lot of modern horror that there's a decent amount of uh suspense |
1:06:45 |
that you don't get in modern horror. I think a lot of modern horror um and it's been this way |
1:06:49 |
for the past [ __ ] decade, if not longer, just rely on jump scares or whatever. It's |
1:06:54 |
just like and and and fake jump scares like it there'll be a buildup of suspense and it'll be a |
1:07:01 |
cat jumping off a bookshelf, but then the sound will be massive symbols clanging together. So, |
1:07:07 |
you're naturally going to jump. It's not scary. Nothing scary is going on. It's just a low |
1:07:11 |
noise that startled you what shouldn't have been expected, though. A lot of horrors rely on those |
1:07:17 |
cheap tricks. It is. It's a cheap trick. It is cheap horror. That's what And they're the horrors |
1:07:23 |
I don't want you [laughter] to me. And they're the horrors I don't I don't vibe with cuz one, they |
1:07:30 |
put me on edge and I get jump scared for no [ __ ] reason. Like nothing scary is happening. It's or |
1:07:36 |
it's just a face really quick in your face and it's like kind of spooky. It's the uh equivalent |
1:07:43 |
of someone just hiding around a corner. Like like if I was [laughter] the equivalent of spaghette |
1:07:55 |
Oh my lord. Speaking of um spaghette. Yeah, that's what all the um mannequins in Silent Hill 2 remake |
1:08:03 |
do. They hide in [ __ ] places and they are very noticeable. I cannot wait to play. But honestly, |
1:08:09 |
it's after I can't wait to play all after a while. I have been like caught by a few of them, |
1:08:13 |
especially when they've been off camera. I check my corners and stuff, but um sometimes |
1:08:18 |
they literally hiding behind plan pots. They're hiding behind doors and they don't move. And |
1:08:22 |
when they're not moving, your radio's not stat. Your radio's not going off cuz that's the thing, |
1:08:26 |
your radio only goes static when the creatures are moving. But you might see a pear of legs. |
1:08:31 |
Oh, [laughter] I see a pair of legs. You might see you might see a quart of legs [laughter] and then |
1:08:38 |
you might like shoot it a couple times and it'll run off and then it'll just not be on screen and |
1:08:43 |
you'll see it somewhere and it'll be trying its best to blend into the scenery and it does a piss |
1:08:48 |
poor job of doing it cuz like it hides behind plant pots and desks. Sometimes it does a good |
1:08:53 |
job of blending into the wall, but yeah, it's it's funny. It's more funny than it's spooky, |
1:08:57 |
but that's something that I'd say the remake's not done well. The only thing about it, |
1:09:02 |
there's too many of them and they are [ __ ] at hiding. [laughter] |
1:09:08 |
What funny gripes is it? Is a funny grip. It's the only gripe, but everything else is |
1:09:12 |
done really [ __ ] well. Like the first time you see Pyramid Head made me feel physically |
1:09:18 |
ill. I just like cuz like I don't know if you remember from the original when you first see him |
1:09:23 |
like he's just to quote Spongebob, he's just stood there menacingly. Yeah. You can't do anything |
1:09:28 |
about it. But it's it's disgusting. And it's like I don't feel comfortable moving anywhere near you, |
1:09:34 |
sir. Just don't dare. I know he's not going to do anything. You can get quite close to him as well |
1:09:38 |
cuz he's behind um a gate in it. Oh yeah, he's just stood there and he looks really imposing. |
1:09:45 |
It's done really well. And obviously the sound is amazing, but your radio is going off like |
1:09:48 |
[ __ ] crazy. And you've still got to search some rooms and the radio's still going off. And I'd say |
1:09:53 |
like in the floor when you first get to those apartments, the floor below, there's a certain |
1:09:58 |
section when you're walking through it and you can hear like the sound change and it feels like like |
1:10:04 |
metal scraping on metal and whatnot and it sounds like, oh, is this the first introduction of a kind |
1:10:08 |
of kind of hearing before I can see him cuz it sounds like someone's dragging something heavy and |
1:10:12 |
metal above you and it's just offputting. That's what I like. It's It's not comfortable to play, |
1:10:19 |
but I I like it. It's cool. Have you ever seen another of a film on um It's on Netflix. It is |
1:10:24 |
a Netflix. Oh, well I mean we should uh maybe we should wrap it up for the first episode. We're |
1:10:30 |
wrapping it up. Yeah. Yeah. What time we on? Hour 10. Hour 10. [clears throat] My 10 if any. Your 10 |
1:10:39 |
hour 10. Your [laughter] 10. Yeah. [clears throat] Real quick. Yeah. [snorts] Give it to me. Heard of |
1:10:44 |
a film called The Platform? I'll just give you the brief concept of it. Uh I'm not sure. Platform. |
1:10:50 |
It's one of those concept horrors and I wouldn't even call it horror. It's more of a thought |
1:10:54 |
experiment horror like sort of human centipede. It's good. I think it's foreign. Concept is so |
1:11:00 |
there's this platform, right? And you're in this prison and this prison's like vertical |
1:11:05 |
and it's just like I don't know 100 stories high. Oh yeah. Yeah. So on the top platform |
1:11:12 |
there's a decagant meal, you know, it's high-end or Michelin star chef cooked it and everything. |
1:11:19 |
And then there's people on like the outside of it. So as the platform reaches your level, |
1:11:23 |
then you can eat. Platform gets lower and lower and lower. And the people at the very bottom just |
1:11:28 |
get [ __ ] basically. Yeah. And I think the whole I can't remember it, but um people have got to |
1:11:33 |
like either advance on the way up or climb out or you have to do things to get to a certain level. |
1:11:38 |
Can't really remember what happens in it. Anyway, a sequel dropped the other day. I'm like, there's |
1:11:43 |
a film there's a film that never needed a sequel. [laughter] But yeah, it just reminded me of like |
1:11:48 |
the human centipede like cuz it's like good as an idea, but can you flesh it out to a sequel, you |
1:11:56 |
know? Yeah. Yeah. I might give the sequel a watch cuz I did really enjoy the first one as like a |
1:12:01 |
sort of huh interesting. I won't watch that again. But would you call it a horror? Cuz it's more of I |
1:12:07 |
don't know. It's more of man hating on man sort of thing. [laughter] The ultimate villain. Man. Yeah, |
1:12:16 |
man. Oh, man. Yeah, I have. I haven't [snorts] ever seen it. I haven't ever seen it. I ain't ever |
1:12:22 |
not seen [laughter] nothing. God, I haven't seen the movie. Jimmy T. Did you [laughter] see Did |
1:12:31 |
you see the guy with a gun? I ain't seen nothing. [laughter] I ain't never seen anything ever. Hey |
1:12:38 |
which way did the killer go? [laughter] I never seen that movie. Um, yeah. I I don't I don't |
1:12:46 |
know. Like it it didn't appeal. It It looked interesting. Interesting to me for me to think |
1:12:54 |
I'll sit through that. Yeah. It was better. It's one of those films where it's better watching it |
1:12:58 |
with someone like a partner or someone or a friend just so you can sit there and watch it cuz it's a |
1:13:04 |
thought experiment movie and then to discuss it watching it on your own thinking, ah, I need to |
1:13:12 |
talk to this about someone and there's no one around me. It's not a film you want to watch on |
1:13:15 |
your own. It's a film to be discussed and I think that's why it exists. But yeah, that's spooky |
1:13:22 |
horror films. Yeah, I really spoke about any traditional horror. No vampires or Frankensteines |
1:13:29 |
We are We have time to knock another one out. Do you want to knock out a vampire? Do you want to |
1:13:33 |
knock out a Frankenstein? Do you want to knock out an invisible man? You Joe Morgan, [laughter] |
1:13:41 |
what what would Joe be? A vampire or a Franken? He'd be a Frankenstein. Oh, |
1:13:44 |
definitely a Frankenstein. Definitely a scientist. [laughter] That's what he'd be. Frankenstein's |
1:13:50 |
monster. [ __ ] hell. Did he ever get a name or was it just Frankenstein? Adam, would it? Oh, |
1:13:57 |
[ __ ] I'm pretty sure it was Adam. It' make more sense if it would be Adam. Doesn't have the |
1:14:01 |
same ring to it, does it? Oh, Adam. [laughter] Quick, get your torches and pitchforks. Adam's |
1:14:10 |
the [laughter] what's that he's got behind him? An army of ants. [laughter] It's Adam any ants. |
1:14:19 |
Oh my lord. Prince Charming. Prince Charming. [laughter] Ridicule is nothing to be scared of. |
1:14:29 |
[laughter] |
1:14:32 |
Kill it with fire. Oh my god. No, |
1:14:36 |
you don't understand. He just wants to He just wants to sing. [laughter] |
1:14:42 |
My god. That's it. That's our Frankenstein reboot. [clears throat] No, we can call it that. We can |
1:14:48 |
call it um whatever time we're at. Yeah. Cool. Um yeah. Bye. [laughter] Get the [ __ ] out of here. |
1:14:58 |
Yeah. Uh I've been Jack. I've been Mike. This has been uh Trapped in the Cube. Trapped in the cube. |